yaminoyugi:

anacondadrewberry:

kittykura28:

lampurple:

faiakishi:

otakumusician:

azhdarcho:

SO I’VE NEVER SEEN BEFORE HOW 4KIDS DID ZORC, AND I’M–

Yeah, we don’t talk about that.

As terrible as the 4Kids version of Zorc is…

Who the fuck designed Zorc?! Seriously, who the fuck sits down to design a demon and goes, “I’m going to give this dude a dragon penis!” Seriously, what the FUCK?!

Kazuki Takahashi high on pain meds

You think it’s a joke but Kazuki Takahashi actually admitted to being delusional when creating Zorc

That explains so much

What da heck… 

am i the only one who thinks the one on the right looks no less phallic? it doesnt look like 4kids removed the dragon dick, it just looks like they hated twinks so they made him a bear 

zenosanalytic:

lines-and-edges:

freedom-of-fanfic:

shipwhateveryouwant:

no really though, can anyone explain to me why fictional depictions of violence are only wrong when they’re sexual? why it’s universally understood that simulated violence can be consumed without danger of influencing society, but any depiction of any part of the sexual violence spectrum will inevitably contribute to real world sexual violence? have any antis made an attempt at really explaining that? I’d love to see it

Obviously I’m not an anti, but as someone who has always had an underlying reaction of ‘this comparison doesn’t feel right’ whenever someone calls hating fictional sex but not fictional murder hypocritical, I wanted to respond.

I think it’s a reflection of how society reacts to sexual assault victims differently from murder/attempted murder victims. Specifically: society behaves as if the thoughts and fantasies of a sexual assault victim have an effect on the severity of their rapist’s actions but does not do the same for murder victims.

in other words: in an anti’s eyes, it’s easy to see that only a murderer is responsible for murder. But rape culture (not the rapists) are responsible for sexual assault and anyone contributing to it (i.e. creators of dark fandom content) is/are responsible for cleaning up and ending rape.

*

Frank talk about about rl sexual assault and murder below.

Neutrally speaking, sex itself can be a good or a bad experience. murder or attempted murder can only ever be a bad experience. 

When someone says they were sexually assaulted, society zeros in on whether or not the victim enjoyed/wanted/previously fantasized about the sex instead of focusing on the being forced part. If we treated murder victims the same way we treat sexual assault victims, we’d concern ourselves with whether the victim enjoyed/wanted/previously fantasized about being stabbed/choked/poisoned/etc to death instead of focusing on the being dead part.

Keep reading

This is a really good analysis, thanks!

Also, this deserves to be a pull quote:

“[A]s long as society pushes the blame for sexual violence off the abuser/rapist and onto the victim, or the state of society… antis will contribute to this mindset by demanding that the victims and society clean up their act first.”

This is good but I’d like to add: “antis”(or, well, their philosophical ancestors) TOTALLY tried to do this with violence.

For most of the 90s and early 00s, people with precisely this mindset fought HARD to ban or censor games and music(exclusively rap and other “deviant” genres) for violence(and, surely by coincidence, anti-establishment messages) with the same sorts of arguments and on the similar theory that violence in art caused violence in society. That violence and crime in US society during this period were persistently falling inspite of its, to their eyes, ever-increasing “deviance” never seemed to register with them, oddly enough. And before THAT -during the 70s, 80s, and 90s- the same folks campaigned against violence in films, tv, and music. Antis lost all those fights, eventually(well, TV censorship is more complex. The FCC was, and remains, very susceptible to their gaming, particularly on language and sex).

And during all these eras, mostly the same folks were caught up in the anti-porn fight as well. Which also failed. So why does this particular arm of the anti-porn campaign continue? Here’s one theory:

All of this -from slasher flicks to pornography- were normalized by society in the wake of their success; they became, or became part of, billion dollar industries and, in the US, how can something worth billions of dollars be deviant? Commodities are as American as Apple Pie. These are all also Industries controlled by, and profitable to, white men. Fanfic is (mostly)non-profit. It’s non-commoditized and, in fact, very difficult to commoditize due to IP laws. It’s primarily controlled by folks afab. Because it’s non-institutionalized, the sort of structural gatekeeping which keeps poc and non-men out of positions of influence and control aren’t as developed and established(racism and sexism are still social institutions that impact and exist in fandom, obvsl; upholding them is the point of the racist+sexist harassment which happens in it). Fanfic sex remains “deviant”, and thus an open target for christian moralizers(disguised, unaware, or otherwise), because Fanfic communities themselves are “deviant”; more open to those excluded by establishment society, and more difficult for capitalists to integrate into their system of profit-exploitation.

Hauntswitch is not half of Hiveswap and presuming otherwise is misinformation.

I don’t really like seeing misinformation about Hiveswap spread, so I figured I’d post this for @moonpaw because, while it’s kinda lousy that Hiveswap backers don’t get Hauntswitch, it’s important to note that Hiveswap is not and has never been planned to be half a story. 

This is from the October 30th, 2014 kickstarter update where the plan for both games was outlined:

“Way back when I thought of the idea for this game, sort of in tandem with the plan to fund it through KS, I started thinking a little further beyond the KS and release of the game. Such as, what if it was funded well beyond the goal (it was), and what if upon release, the game was successful and well received? (Maybe it will be! I hope so.) Does it make sense to extend the series beyond one game? My verdict was an emphatic “PERHAPS”. So as a result, from the start I conceived of a story that revolved around the idea of there eventually being two games, but without committing to any concrete plans to develop the second.”

[More on Hiveswap]

This is the title of the first game. Like I said, the hook the two games share is that early on, the two main characters will trade places. So this means a human girl will have an adventure on Alternia (the troll planet), and a troll boy will have an adventure on Earth. Their objective (well, among others) is to get home. The first game follows the girl on Alternia, who’s trying to get back to Earth. The stories of the two games won’t have much to do with each other, except for sharing the device responsible for the swap, and the two heroes meeting each other’s respective group of friends.

So yeah. Hauntswitch is not half of Hiveswap, and Hiveswap is not half a game. Their relationship will, according to WP, be more akin to each game’s relationship to Homestuck: Correlated, but not codependent.

Hopefully this will alleviate some concern if this is something people are worried about. I don’t see why it should be. 

jollysunflora replied to your post “I knew Inversion Theory was just a fan-theory and wasn’t canonically…”

Tbh that doesnt seem like enough evidence to debunk it

I’m not really sure what to tell you if WP staff saying “I’ve spoken to Hussie about this and am speaking from a position of privilege; it isn’t canon.” isn’t enough for you. I kind of take it as tacit confirmation of something I already knew, personally. 

There’s nothing about inversion theory that I don’t feel is more accurately explained by the basic dynamic Calliope proposes with Aspects, and Roleplay set up by FLARP and the focus on Ancestral/Historical influence for Class stuff. Simply put, there are better explanations that render Homestuck a more cohesive and complete narrative, in my opinion. 

twixtandshout replied to your post “jakemorph replied to your post: actually, Feferi was the one who set…”

Wasn’t Feferi only able to strike that deal with the Horrorterrors because her lusus was a mini-one, though?

I don’t see much reason to think so. It certainly explains how she went about it, but plenty of characters commune with the horrorterrors, and Feferi’s actions parse neatly into the verbiage of a Witch of Life–”Changing” the rules of life itself, much as Sollux skirts the rules of death.