gaytog:

the-official-pope-of-madoka:

revolutionaryduelist:

@stormsbourne replied to your post  

“What do you mean by “mediocrity” in the context of Madoka Magica?”

usagi literally watches all her friends die over and over again in
sailor moon so the whole ‘magical girls BUT DARK’ thing is so dumb

also I’ve heard pretear is a good magical girl show for people who don’t like sailor moon, and in addition, there’s of course always princess tutu

EXACTLY its so frustrating. Also yeah I never watched much Pretear but what I have seen looks pretty good, so add it to the list of reccomendations I’m putting below which already included, for….

starbitscoffee What do you mean by “mediocrity” in the context of…

that’s super interesting bc I loved Madoka! You mention that there’s better magical girl genres that are better written and I actually watched Utena bc of you and actually really enjoyed it so I have a lot of faith in your recommendations :‘0 so other than Sailor Moon (which I couldn’t really get into, unfortunately) can you tell me those other magical girl shows like Madoka?

I love Madoka Magica too, don’t get me wrong-I still cry every time I listen to Sagitta Luminis, it’s a very well-crafted show in a lot of respects. And to be fair Sailor Moon is a really long show with some real peaks and valleys-I’d probably recommend season 3 of that above everything else, since it’s where the series is strongest.

Off the top of my head some recommendations are:

1. PRINCESS TUTU –

Super dark, super weird, deals with a lot of the same themes as Utena and Homestuck, there’s a duck named duck. what’s not to love?

Rating: I automatically fall for dudes who talk this show up

2. Mawaru Penguindrum – Only barely a magical girl show, but it’s by Kunihiko Ikuhara, the director of Utena, so I’m blood-bound to talk about it until I die. 
its exactly as fucked up and surreal as the Utena link implies. Substantially moreso on both counts, actually.

Lots of abuse and incest themes just like with Utena, but just as with Utena I feel its treated pretty appropriately. It features enough lgbt stuff that i’m pretty happy with it on that front, too. It’s even more dense and hard to understand than Utena in some ways, so I’m planning to rewatch this one myself and probably do some videos on it eventually.

Unfortunately its also a lot more overtly fanservicey/sexual than other stuff I’d recommend–Ikuhara seems to have gotten unfortunately trashier with time. I still think its good, the recommendation just comes with even heavier caveats than Utena.

Rating: Mr. President, watch out!

3. Magical Lyrical Girl Nanoha – More episodic and combat oriented so its a pretty simple story, but it deals with a lot of abuse themes and following the series means watching the two main girls literally fall in love and adopt a child together. It’s maybe tongue in cheek, but they literally live together and sleep in the same bed. its canon.

Rating: Moms

I could think of more for sure–the Precure series (wanna chime in on standout seasons, @nelfes ?), Magic Knight Rayearth, Cardcaptor Sakura, theres all sorts of different weird stuff in the genre so it kinda depends on what you’re looking for. These are just a couple shows that hold a special place in my heart for one reason or another.

crowbarbreplied to your post  “What do you mean by “mediocrity” in the context of Madoka Magica?”

i always get rly sad because the original ending of rebellion was
supposed to be homura and madoka going to magical girl heaven together,
but some people behind the movie were like nah. the creator was pretty
upset about the change and same. it’s still there in the manga
adaptation.

Oh. That actually makes me feel even more justified in erasing that ending from canon in my head, and makes me feel better about Gen Urobuchi for whenever I throw myself into the Fate/Stay Night franchise, not to mention making me more positive on the actual artistic vision behind Madoka overall.

Thanks a lot for the tip! Do you have a source, by any chance?

That last point is not true:

What kind of story did you think up at first?

Urobuchi: From the start, the idea was “Homura becomes a witch, and the story takes place inside her barrier”. But at the time, I wanted to end the story with Madoka taking Homura away with her. So, I thought the story would end this time for real (laughs). But both Iwakami-san and Shinbou-san were like, “No, we want the story to keep going after this” and wouldn’t give me the OK. So then when I was getting really worried, Shinbou-san was like “Might as well just make Madoka and Homura into enemies”. And that suggestion was basically the breakthrough. I really agreed that Homura might be plausible as Madoka’s equal opposite.

So the plot came together based on the concept of Madoka and Homura becoming enemies.

Urobuchi: That’s right. Once I knew the direction I was working for, everything came together, so I wrote the screenplay after that. I wrote the first draft, and then came the revisions, and it ended up as it is now.

Source: https://feral-phoenix.livejournal.com/685568.html

Finally, a source 😀

Ah, good to know.