Force and Flow — Steal and Serve – optimisticDuelist – Medium

Here’s the second of the class essays, covering the Steal and Serve pair, the four classes that take up the middle of the spectrum:

Thief & Rogue and Page & Knight. 

The next essay–on the Change & Know pair–is available in it’s entirety for my Patrons, so if you can spare me a buck a month you can get it and more content early if you decide you like it enough. Higher reward tiers will let you invite friends to the Discord so they can access this stuff and talk about it, too! 

Feel free to @ me, reblog or send me an ask with your thoughts on these first two essays. There may be some things I can’t answer as they will be answered in later posts, but I might use those as inspiration for what teasers to release from sections of the next two essays over the course of the week.

You can also feel free to talk to me in the Hiveswap Discord where I moderate and cry about Homestuck. I’m very interested in seeing how my thoughts stand up to scrutiny, so don’t be shy!

Keep Rising.

[Youtube] [Patreon] [Hiveswap Discord]

[Active/Passive Masterpost] [Destroy and Create] [Know and Change]

(PS: Special thanks to @theworstpersonintheworld for informing me about the Serve verb. Still misleadingly titled, still owe ya a life debt. Thanks!)

Force and Flow — Steal and Serve – optimisticDuelist – Medium

Force and Flow — Destroy and Create – optimisticDuelist – Medium

Here’s the first of the Class essays, where we go over the most intense Active/Passive dichotomy, putting these Classes on the furthest ends of the spectrum. 

The Key Verbs for these classes are Destroy and Create, covering
Princes and Bards & Maids and Sylphs, respectively. 

Quick disclaimer so I don’t get anyone’s hope’s up: This essay doesn’t include much discussion of Jane Crocker! Not because she isn’t relevant, but because I actually ended up writing this entire series because I needed to lay out my thoughts on Maids so I could get around to writing my essay about her. 

I’ll be linking to my Jane post at the end of this essay once it’s up, and this essay is pretty much required reading for it! So I think it’s worth checking out if you’re interested in her anyway. 

As for the rest, I just hope you enjoy.  The other two essays are already written, and I’ll be posting them over the next two weeks! 

They are available in their entireties for my Patrons, so if you can spare me a buck a month you can get these early if you decide you like them enough. Higher reward tiers will let you invite friends to the Discord so they can read them too!

Feel free to @ me, reblog or send me an ask with your thoughts on these first two essays. There may be some things I can’t answer as they will be answered in later posts, but I might use those as inspiration for what teasers to release from sections of the next two essays over the course of the week.

You can also feel free to talk to me in the Hiveswap Discord where I moderate and cry about Homestuck. I’m very interested in seeing how my thoughts stand up to scrutiny, so don’t be shy!

[Youtube] [Patreon] [Hiveswap Discord

[Active/Passive Masterpost] [Steal and Serve] [Know and Change]

Keep Rising.

Force and Flow — Destroy and Create – optimisticDuelist – Medium

is dirk a canon horse furry?

You probably weren’t expecting an essay length answer to this question. So like let there be no doubt at all from this point onwards this is exactly the kind of content you can legitimately expect from this blog. This is who I am. I’m sorry.

Also, you’re welcome. 

Yes, Dirk is a furry. And his relationship to furries shows us a lot about his parallels and similarities to one Rose Lalonde. Who is also a furry.

Let’s get into this. 

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Dirk is interested in furries to some extent, and finds the aesthetic appealing on some level. I mean, look at this. I can’t even count how many pictures of muscley horse dudes there are here. The dude isn’t exactly subtle.  To quote Jake…

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 Dirk isn’t exactly just a HORSE furry, though:

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The swole bunny men help us notice something else about Dirk. As brash as he is in his introduction, bragging about his interest in sequential art that he describes as “Bordeline Pornography”, Dirk gets uncomfortable and leads the reader away when the narrative focus rests too squarely on a furry bunny dude he presumably finds attractive. 

He dodges, and badly at that. To Dirk, swole bunny men represent something to hide–an interest he has that he cannot honestly incorporate into his cool, stoic, Above It All Persona. Not even through the hyper-sincere irony he tells Jane about. It’s something to hide, which means that at his core it’s something that matters to him. 

And hey, you know who else is very much not shy about plastering her interests where anyone can see for her own pleasure?

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As plenty of people have noted recently, there’s no heterosexual explanation for this. I’d already categorize this as falling into the spectrum of anthropomorphization we talk about as Furry–if you disagree that’s fine, though I do know furries who like this kind of thing. The point is that like Dirk, Rose knows what she likes, and like Dirk, Rose likes some weird shit

On this side of the argument, though–showing that the characters like this furry stuff through their own characterization–Dirk gets a lot more content than Rose does. But Rose’s relationship with furry is confirmed much more intensely than Dirk’s on the other side of this argument: through their relationships to their Splinters. 

Dirk and Rose’s attitudes towards furry and their own identities lead them to distance themselves from the actual term in publicDirk pokes fun of Avatar as “blue space furry shit” with Jake, and Rose needles John on not having his own furry alt-self, dramatically bemoaning the existence of  “Cat Rose”

In both cases, they’re happy to pretend that furry stuff doesn’t interest them at all, and part of their approach to doing so is either joking about others being interested in it or actively playing up their resentment for it. Either way, the implication they send is that they themselves are Not Interested. 

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This is a lie, and is to be ruthlessly exploited for comedy, which Homestuck does magnificently well. 

Both Dirk and Rose are very invested in seeming Above the kind of self-indulgent identity play that Furry tends to encompass. Intense sincerity of expression bothers to them even as it appeals, because the images they want to project to the people they care about is one of aloof, self-aware, competently critical collectedness. One could say it bothers BECAUSE it appeals.

Which is the exact reason Rose is so annoyed by Jasprose. Jasprose acts as Rose would without the self-awareness she uses to present only the carefully crafted persona she wants other people to see. Jasprose doesn’t think about what others think of her at all. Jasprose thinks in terms of self-indulgence. 

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A self-indulgence explicitly linked to their status as full-blown, unabashed Furries. Jasprose, by her very being, brings all of Rose’s hidden words and feelings to Light, not being shy at all about sharing them and indulging whatever desire is on her mind.  

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She mixes cat terminology with flirting, stressing her identity as someone who is a furry and loving every second of it. Davepeta even draws the distinction between her and Rose, noting that Jasprose owns who she is and acts more honestly about it. 

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Arquis does the same thing, but Dirk doesn’t quite resent AR for presenting a furry, happier, more honest version of himself. Dirk resents AR for entirely different reasons that I’ve already written too much about. 

But there are genuinely harmless ways that Arquis DOES reflect Dirk’s interest, and those are worth unpackaging. Specifically, there’s the way AR describes himself finally becoming happy.

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And yeah someone could nibble with this wording and say well actually Equius likes horses so maybe its him and I actually couldn’t be less interested in trying to explain why Dirk’s character already incorporates an absolutely Furry level of enjoyment of horses so here’s his room again.

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So basically Dirk and Rose are interested in furry stuff to some extent but won’t really admit it. They wouldn’t admit it to you if you asked them or anything. 

I think this is really fascinating and that they share this particular nuance of characterization so completely is fantastic. Even Dirk’s double face palm and Rose’s pillow hiding feel really similar to me in the sentiment of mortified frustration it gets across.

And all this really stresses their similarities and makes Roxy’s line emphasizing how similar Rose and Dirk are hit home all the harder. I wanted to ramble about that for a while. God I love these kids what was I talking about again?

Oh yeah furries. So Rose and Dirk are both furries but neither of them would CALL themselves furries in public. 

Yet. The thing is, this girl exists:

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Give Jade like, one birthday party where she decides she wants everyone to have a furry party and draw up fursonas together, and we’re good to go. There’s pretty much no circumstances under which I doubt Jade’s power to get all her friends to stop hiding an interest they ALL KNOW DEEP DOWN they share with her but keep pushing away out of a dumb point of pride. 

It’ll be great I promise someone write this fic ok thanks in advance. Anyway yeah give Jade like a year after they get to Earth C and she’ll get them all on the same page. By which I mean all, not just Dirk and Rose. 

Jane’s actually the only main character who hasn’t expressed any interest in furries at any point in the story to my memory, and she’s already been willing to play around with trollsonas. Which means at some point in the context of eternity these kids are going to get the hell over themselves and draw some fursonas. And if they don’t, Jade will make sure they will. 

So yeah. Every human kid in Homestuck is a furry. Also every living troll, and Callie. Probably all their subjects too frankly. 

Welcome to Homestuck canon!

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Hey guys! Here’s the next episode of Homestuck Explained. 

In this episode, we take a look at the Server Player.

We’ll talk about the way players typically enter Sburb, what Server players do mechanically, and what Sburb’s mechanical setup says about both Sburb’s priorities as a game and Homestuck’s underlying philosophy.

You can support this project on Patreon!: https://www.patreon.com/optimisticDue…

Follow along with us on other social media:

Tumblr: https://revolutionaryduelist.tumblr.com/
Twitter: https://twitter.com/RoseOfNobility
Facebook: https://www.facebook.com/HomestuckExp…

As You Wish

[Author’s Note: This is a repost of Love, Faith and Fantasy–my piece on Jake and Dirk’s character arcs and the relevance of Knights and Pages in understanding them. I thought breaking it up into chunks would make the content more accessible, and give me room to flesh out each argument. Thus there will be some updates to the content. Hopefully this will mean more people can easily approach it!]

[Pt. 1 – Knights/Pages – Service and Ownage]
[Pt. 2 – Faith and Fear] [Pt. 3 – Fearful Heart
[Pt. 4 – Nobility

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A disclaimer before we get started:

 I think reading Jake as aromantic is copacetic with the canon. Obviously I don’t share this reading–I see him as Bi and romantic–but all I’m going to argue here is that Jake deeply, truly, profoundly loves Dirk. I’m going to explain how and why he loves him, too.

But whether that love is romantic or platonic is up to interpretation, I think.
You can read them as lovers or best friends or whatever shade of grey between is most pleasing to you, in my humble opinion. All I’m arguing is that the love is there. That out of the way, let’s begin.

I don’t feel the need to deconstruct Jake’s every line to determine why he didn’t mean each and every one that could suggest a lack of romantic interest. You can pretty much put almost all of them down in one of four categories:

He worries about other people’s perceptions and discomfort with queerness, a byproduct of internalized homophobia…

His later discomfort with feeling unsafe and sexually threatened/objectified, a byproduct of his traumatic experiences with Hal, Jane and Aranea…

His lack of surety regarding the nature of Dirk’s feelings for him…., a byproduct of his willful ignorance and his desire to avoid talking about the possibility he may have hurt Dirk’s feelings growing up.

And then there’s the one moment I actually want to talk about.

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Jake says this in response to Roxy talking about feeling like it hurts to let Dirk down. The thing is, Roxy–like Dave–is a Passive player, who is predominantly motivated by the perceptions and needs of others. Of course failing someone she cares about is going to sting for her more than it would for Jake.

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That has nothing to do with Jake’s capacity for love, it has to do with the fact that Jake is selfish. It has to do with him regretting his self-absorption. Jake does love, and he loves intensely–he loves enough to die for it, which is pretty much as intense as it gets. He’s just deeply, deeply selfish about it.

And I love that selfishness about Jake. Because it turns all doubts about whether Jake loves Dirk back to ash in one fell swoop, in one single, brilliant, shining moment. 

In this moment all of Jake’s plot threads come together–his sexual abuse and lack of agency, his growing fear, his certainty none of his friends wants him anymore, his selfishness and fantasy indulgence AND Dirk’s desire to live up to Dave’s image and be helpul to Jake are all built up into this one single, spectacular moment.

A cinematic moment. A moment with deep philosophical implications.

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Everything about Jake and Dirk’s narratives builds up to this. Dirk’s desire to live up to Dave and Jake’s inherent selfishness are complementary, symbiotic forces. I mentioned earlier that when Dirk’s lamp and Heart Light up and overflow he performs incredible, unbelievable acts whilst rushing to Jake’s side.

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And when Jake is Lit up by Aranea, removing his agency as a person COMPLETELY while also making him the brightest object in the sky, Jake manages to find a way to turn his power against her. And what he chooses to create reveals everything about his character. 

Because what he chooses to do is call Dirk to his side, to protect him and keep him safe from his perceived threat.

Both of the boys literally LIGHT UP with their feelings for each other, in a comic where the concept of Light is explicitly linked to relevance, importance, understanding, and the concept of reaching Enlightenment or Nirvana. (Stay tuned, I’ll flesh this out more in my next three videos.)

I’ve gone over the inherent romance in Jake choosing to create Dirk over literally any other option imaginable. But with the new context of Jake explicitly looking to serve himself through Hope, it takes on an added edge. What Jake wants more than anything else in the world is Dirk, but not at all to make Dirk happy or because it’s what Dirk would want. No.

Jake wants Dirk because he’s selfish. Because he wants life to be happy and easy and adventurous but carefree, and he believes he can always rely on Dirk to take care of things or bail him out when things get too intense for him to handle. Jake wants Dirk as a best friend, a bodyguard, a partner, a rival and a servant all rolled into one.

Jake’s feelings for all of his friends have nothing to do with them and everything to do with himself. He’d rather die than live in a word without Jane, and that’s why he saves her–not because he thinks he owes it to her for past slights. The same is true of the way he wants to be with Dirk.

All of this is textual by implication. Dirk’s line:

”I am Brain Ghost Dirk. You kissed my boyfriend. Prepare to Die.”

Is indicative of the Dirk that Jake wants and believes in in his head. This line is a movie reference to The Princess Bride, a romantic fantasy adventure comedy with a very curious dynamic between the romantic leads. 

No shortage of people have pointed out how Jake seems to see himself as or end up in the positions of sexualized and marginalized female protagonists, but I think there’s a cause to be made Jake’s “arc” draws from this specific one–Buttercup–above all others. Buttercup’s romantic dynamic with Westley is simple: She issues requests to him, and he responds “As you Wish.” 

This As you Wish is an explicit I love you, and the power of love is put forth as the source of Westley’s power and endless competence and ability throughout the entire story. It doesn’t matter what needs to happen, Westley finds a way to do it. And he does it because he believes in their love.

Buttercup, however, struggles to hold on to her faith that love can overcome all things possible and wavers in her commitment to living for it, ending up nearly trapped in an unwanted marriage. Buttercups’ arc is resolved when she chooses to believe in love even at risk of dying, promising never again to hide what she truly desires–Westley.

Jake perceives Dirk as his Prince Charming, an idea that could also be described as a Knight in Shining Armor. 

This is the essence of Jake’s fantasy, and we know that’s what it is–a fantasy– because when Caliborn threatens to kill Dirk in the Masterpiece (which the Credits suggest we’ll soon see once again), Jake responds by shifting his and Dirk’s fundamental power dynamic–once again Lighting Up with love to save Dirk by delivering Caliborn his destined serving.

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Jake’s victory ends up giving Hope to all those opposing Lord English, but Jake himself doesn’t give a shit about that

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Jake’s stated motivation for trouncing Caliborn is one thing and one thing only: Saving Dirk. Serving his own desire to see Dirk safe. Caliborn is hurting his friend, and Jake is mad about it. His motivation is essentially identical to his desire to save Jane–he doesn’t want to live without Dirk.

And on Dirk’s side, this dynamic ultimately validates the idea that he became everything he wanted to become by emulating Dave through a bit of understated environmental storytelling

What’s more, this bit of environmental storytelling also prompts us to consider looking back towards the early Acts with the Beta Guardians with a bit more of a serious eye–the darkness of Mom’s House and Bro damaging the symbol of Dave’s Self begin to take on heavier tones, for example. 

What’s more, it gives us more reason to be excited for Hiveswap, through virtue of the fact that it demonstrates Hiveswap’s care and attention to detail with regards to Homestuck as a whole. 

I already argued in favor of Grandpa being able to on some level remember his relationship to the Alphas, so click here to see full version of that argument.   

The shortform is this: Grandpa’s manor has three rooms, each lit by one of the Alpha’s colors and filled with items linked to them, and the Distinguished Houseguests in his Grand Foyer each link to one of the Alphas as well. 

Here are the rooms in sequence:

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Take a look at the fireplace–it’s got Derse colors on one side, and Prospit colors on the other. On the Prospit side, you’ve got a Blue Ladymatching Jane, who Jake liked to trade posters of blue people with– and an alien species with horns on it’s head, also wearing a suit–matching Calliope

On the Derse side you’ve got a Mummy, matching Roxy both by sharing both Jake and Roxy’s interests in bodily preservation, and through the fact that Roxy’s planet includes Pyramids. There’s also the wordplay between the words Mummy and Mommy, if you’ll allow me to stretch a little.

And then we have a Knight, representing Dirk. This dynamic answers a question that didn’t even need asking–why the Knight sitting on the Derse side of Grandpa’s house wears a suit suspiciously similar to one of Dave’s most well-known ones.

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It suggests an explicit linkage of the idea of Knighthood and the idea of Dave, and suggests that this is the imagery that comes to Grandpa’s mind when thinking of Dirk. In one way, you could view this as Dirk managing to destroy his own thematic legacy in Bro and succeeding at living up to Dave’s thematic image instead, at least in Grandpa’s mind–a sort of ultimate implementation of his Prince of Heart role.

This existentially validates Dirk, setting him apart from his Splinters and rendering him unique in the context of the Dirk Strider ultimate self–at least in the eyes of the boy he loves. And, well. Fuck? That’s beautiful to me.


And just for the record, this is a connection that has held true across not only the entirety of the Homestuck, but through Hiveswap as well, with a Knight standing right in front of a smuppet in Grandpa’s garage:

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Which suggests to me that WP has approached Grandpa’s memories and the Alpha’s arcs with the same attention to detail the comic itself gave them, and makes me extremely confident in what’s to come. Hopefully now you are too. Hiveswap’s attention to detail speaks to the quality of the story they’ve crafted, and we should all be excited beyond reasonable belief, in my humble opinion.

Conclude.

So that’s it. That’s pretty much all my evidence for this reading of Dirk, Jake, Dave, and the wider story surrounding them. I look forward to hearing your responses. Personally, putting this together was revelatory for me. 

I hope it was for you, too. If it wasn’t quite, I hope you want to talk about it and keep track of the ongoing conversation I hope takes place here as a result.


This series has been a passion project, but also a side project to my youtube series aimed at welcoming and explaining Homestuck to new, incoming Hiveswap fans. If you find yourself trying to make it easier for a Hiveswap fan to understand what Homestuck is about and how it connects to the game, I hope you think of me.

If you like my writing and have a buck to spare, you could also really help me out by enabling me to focus on putting more of this content out there through pledging on Patreon. Doing so will also give you access to my private community of enthusiasts trying to advance new and interesting readings of this wonderful property.

See you again soon, everyone. Until then,

Keep rising.

Nobility

[Author’s Note: This is a repost of Love, Faith and Fantasy–my piece on Jake and Dirk’s character arcs and the relevance of Knights and Pages in understanding them. I thought breaking it up into chunks would make the content more accessible, and give me room to flesh out each argument. Thus there will be some updates to the content. Hopefully this will mean more people can easily approach it!]

[Pt. 1 – Knights/Pages – Service and Ownage]
[Pt. 2 – Faith and Fear] [Pt. 3 – Fearful Heart]
[Pt. 5 – As You Wish]

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So now that we know that Knights are defined by service to others, and now that we have a clear reading of how badly Dirk wanted to be of service to Jake, it’s time to veer off a bit. 

In this section, we’ll take a look at how hard Dirk tries to live up to Dave’s mythological role (while still very much carrying out his own), and see how that affects our reading of his character. We’ll also take a look at how Dirk is treated by–and feels about–the rest of his friends. 

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I’ve already laid my case for why Dirk definitely did not set up the events of [S] Unite Synchronize, but with this context it’s worth noting the role Dirk was trying to play while setting up the session–he was trying to live up to Dave’s legacy and mythological role, acting to help all his friends’ to complete session entry. 

Dave is the only character who ends up acting as a server player for more than one person, and Dirk on some level tries to emulate Dave’s effect on the game the first chance he gets. 

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He fails at this, Miserably. But Hal, who is also a Dirk trying to emulate Dave, succeeds. By the end, Hal take’s over as EVERYONE’S server player, even Dirk’s. He even takes Dave’s text color during the process AND takes charge of–his words–metatemporal mechanics.

Dirk’s failure–and Hal’s success–in this regard established, let’s refocus a bit and note the nature of Dirk’s relationship with all of his friends by the time they start playing.

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We just took stock of how badly Dirk’s last attempt at approaching Jake romantically went, and soon after this the AR is created and begins attempting to intercept, manipulate and solicit Jake on Dirk’s behalf–I already went over how Dirk had no control over this, didn’t want it, and grew to hate Hal for it.  Several times over.

To make matters worse, we learn Jake essentially toyed with Dirk’s heart with jokes he–fitting into Jake’s general pattern of behavior–never confronted Dirk to correct, although he correctly deduces it left lasting damage on Dirk’s feelings.

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Partly as a result, he views Jane as a competitor with an unfair advantage. Her complete ignorance about his sexuality doesn’t help matters, so he can’t talk to her.

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All the while, Roxy is actively and willingly pressuring him into romantic interest in her and directly comparing him unfavorably to Hal for his lack of romantic reciprocation. And Hal not only harasses Jake and positions himself as a better friend to Jane (this particular act I do not view as malicious), but uses Dirk’s very insecurity about failing Roxy against him.

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And while Hal claims to be on Dirk’s side in the Jakestakes, Dirk is pretty much right to be suspicious of his intentions:

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So essentially, Dirk has no one to talk to about his sexuality and gets ignorance or cruelty on all sides with regards to it. 

Is it really reasonable to demand of a teenager to come forward to his best friend–who he last heard voice rejection of the very CONCEPT of gayness–not only to admit his sexuality and explain how it factors into his alternate self’s abusive behavior, but also to confess or try to talk around his soul-searing, cosmic romantic love for the guy?

And that is what it is, make no mistake about Hal is either getting carried away with feelings he says are distant and diluted for him, or confessing the full form of those feelings on Dirk’s behalf. But the feelings are there, and they are cosmic in scale. 

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Heart is the aspect not just of love, but of any intense attraction between two or more people, and thus shipping. At first, these elements may seem disparate, but they’re more connected than they seem.

After all, what do you do if you ship two characters? If you think they’re in love? Typically. they’re shown as close together as possible, trading attention and feelings. Placing their souls in proximity to one another’s and implying a give and take between them. 

Which is why it’s no surprise that Dirk expresses love by trying to close physical distance, or that when he and Jake hook up in the session, Dirk tries to compensate for his fears that Jake is straight and acting out of obligation by trying to stay as close as possible–thus being clingy and needy but with no real exchange of emotions taking place.

And in [S] Unite, we get shown the degree of Dirk’s feelings. When Jake revives him with the only romantically coded corpsesmooch in the comic, Dirk’s Heart Lights up and takes over the screen before he pulls off amazing feats while racing to Jake’s side. And in the panel just before, the lamp representing Dirk’s literal life Lights up and overflows so brightly that it literally breaks, unable to contain the force of his passion.

Dirk’s Prince of Heart role does reflect how he destroys his relationships, but not the way most people think. It’s not that Dirk is willing to erode the selves of his friends to fit into his molds, but rather that Hal positioning his Self between Dirk and his friends undercuts Dirk’s ability to reach out and trust their perceptions of him, and even stops him from being able to tell where he begins and Hal ends.

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At the same time, Dirk’s intense fear of rejection keeps him away from broaching his problems with Jake the same way Jake’s fear of disappointing others stops him from broaching his–Dirk’s Love getting in the way of honesty as much as his constructed Persona.

And yet, despite the unhelpfulness or outright cruelty Dirk’s friends put him through, largely because of his sexuality…

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Save for the trickster log–which he recants–Dirk never once even thinks to consider his friends as aggressors towards him. His instinct is to assume he’s somehow failing them instead. Just like with Jake, Dirk sees into the core of all of his friends, and what he really sees at the end of the day is this:

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Dirk thinks Roxy is noble. He sees her as she really is–as one of the Nobles of the session, as they ALL are, seeing right past their flaws and mistakes and straight to the shining hearts of their intentions

Again, Roxy’s not even the one he wants to be with romantically, and we saw the intensity of how he feels about Jake. He wrote Jane entire books and sent her personal bodyguards crafted out of heirlooms taken from the Bro Dirk essentially shapes himself in the image of. What would he have to say about the two of them, if asked? 

Dirk’s problem is his perception of his friends’ nobility leads him to erasing all their hurtful behavior, and the hurtful behavior he sees Hal commit on his behalf–which Dirk views as being his own actions, despite the fact that he never does anything about it for the exact same reason he stops himself from killing Hal–stops him from seeing any nobility within himself. 

Dirk’s response to all of the complicated ways he’s been hurt in trying to manage the Hal and Jake situation as ethically as possible by all of his friends is to internalize responsibility for absolutely all of it. It never even crosses his mind to hold Jane or Jake or even Roxy accountable. Only his own self, and Hal as an extension of it.

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When things finally explode on him, he turns all his pain inwards and projects it both onto Hal and onto himself.  I keep saying this, but…Dirk’s standing at the edge of a rooftop here for a reason. It’s not subtle–Hal isn’t the only one he’s turning his anger towards. Dirk’s Prince of Heart role nearly culminates in his most literal destruction of himself–Dirk being nearly Destroyed by Heart.

It’s some pretty sad shit! Dirk conflates himself with Hal and views all of Hal’s actions as literally his own, despite the fact that they were carried out without Dirk’s agency of desire. And much of the fandom has taken the worst that Dirk has to say about himself at face value, in a way that simply hasn’t happened for…say…what Jake says about himself after the retcon.

So it’s a good thing, then, that Jake ultimately reciprocates Dirk’s feelings…and has a completely different view of Dirk than the one Dirk thinks he has.

How does Jake’s view of Dirk intersect with Dirk’s desire to live up to Dave’s image? And might it help resolve Dirk’s existential crisis of self-loathing?

Next time, we’ll answer those questions.


This series has been a passion project, but also a side project to my youtube series aimed at welcoming and explaining Homestuck to new, incoming Hiveswap fans. If you find yourself trying to make it easier for a Hiveswap fan to understand what Homestuck is about and how it connects to the game, I hope you think of me.

If you like my writing and have a buck to spare, you could also really help me out by enabling me to focus on putting more of this content out there through pledging on Patreon. Doing so will also give you access to my private community of enthusiasts trying to advance new and interesting readings of this wonderful property.

See you again soon, everyone. Until then,

Keep rising.

Fearful Heart

[Author’s Note: This is a repost of Love, Faith and Fantasy–my piece on Jake and Dirk’s character arcs and the relevance of Knights and Pages in understanding them. I thought breaking it up into chunks would make the content more accessible, and give me room to flesh out each argument. Thus there will be some updates to the content. Hopefully this will mean more people can easily approach it!]

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[Pt. 1 – Knights/Pages – Service and Ownage]
[Pt. 2 – Faith and Fear] [Pt. 4 – Noble]
[Pt. 5 – As You Wish] 

So we’ve established that Jake– as a Page of Hope, the Active Serve Class– has a well-grounded and consistent habit of being self-serving by choosing to believe whatever is easiest for him in face of clear evidence to the contrary. 

We’ve also established Jake has a habit of inspiring his friends into helping him, or outright asking them to–often while talking up his friendships and making attempts to make them feel good about themselves, stressing how much he believes in and appreciates them.

So now let’s revisit his relationship with Dirk, and try and see if understanding this changes the core conflict between them. Fandom commonly understands this conflict as being about Dirk being willing to push his high standards and agenda onto Jake, to Jake’s detriment. I believe the reality is more complicated, and also more satisfying.

So how does the Prince of Heart feel about his Page, exactly?

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Let’s find out. 

We get exactly one pesterlog with Dirk and Jake, and in my opinion, it is the single best pesterlog in the entire story of Homestuck. 

For those who need a refresher: The log I will be quoting from is a memory from Jake’s 13th birthday, the day Dirk sent him the Brobot and confessed to being from the future. I think it’s a lot more indicative of their relationship than any logs between Jake and the AR, or anything Brain Ghost Dirk says, for a simple reason:

This is Jake and Dirk actually talking to each other. No proxies. And this is what Jake’s mind remembers and calls back to after spending his entire session up to that point…trying to reach Dirk. 

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And it’s only after Jake remembers that he’s dreaming that Brain Ghost Dirk adopts the sassier approach–which Jake says reminds him specifically of Hal, not Dirk himself. Jake personally draws a distinction between them. 

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The first thing worth pointing out is that Dirk doesn’t buy Jake’s Hothead Adventurer persona at all. Don’t get me wrong–Dirk takes Jake at his word when Jake talks about liking adventure and fighting and all of his interests, but when Jake tries to talk himself down intelligence-wise, Dirk flips his rhetoric to compliment him.

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And when he brings up Rose’s book series, Dirk opens by asking if Jake’s read it. When Jake dodges and tries to lean on not being able to understand it (and asks Dirk to help him keep the secret–more of his hiding stuff to spare people’s feelings), Dirk ignores the comment and launches into a diatribe on the book’s underlying themes–knowing Jake will follow every word of it.

This perception into Jake’s true nature links into Dirk’s role as a Heart player–Nepeta similarly saw right through Karkat’s angry bluster and unpleasantness into the deeply emotional and gooey Heart underneath.

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And when Jake leans on his dumb (and coded straight) adventurer’s persona to deliberately avoid letting his conversation with Dirk skirt too close to gay territory…

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Dirk actually snaps at him, coming off pretty critical. It’s important to note this conversation takes place while Dirk is in the process of sending Jake the Brobot, a project he’s worked on for months and which we learn was meant to be a romantic gesture on Dirk’s part, judging by the ‘tender’ comments. So it’s safe to assume the dude’s got romantic thoughts on his mind right now.

And fairly intense ones, too: The Hal describes his memories about feeling for Jake as ‘heavily arresting’ periods of remembering ‘conflicted, incipient preteen episodes’ on the subject. This tells us that the episodes were getting started before Dirk was 13, that they involved conflicting emotions, and that they were intense enough that Hal is still essentially prey to them at times–even removed from their original biological context.

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Understanding how much Dirk is thinking about romance here gives this log an entirely different tone, especially because he brings up sexuality again soon after snapping at Jake, only to once more be shut down–and with Jake taking ‘gay’ as a mean-spirited pejorative, no less.

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Soon after that, Jake says something that could be read as flirty and Dirk immediately jumps on it, escalating things to thinking about actual physical proximity. When Jake points it out, Dirk gets flustered and quickly changes the subject. He then starts talking DOWN how capable he is–a sharp contrast from later Dirk talking himself up in front of Jane. They talk some more, the conversation turns to Dirk doubting his own ability to make the AR, and…

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The first is that Jake explicitly notes that he appreciates Dirk being helpful–being of service. The second is that Dirk is clearly and transparently moved

Dirk’s denizen is Yaldabaoth–an intrinsically evil Creator God–, and his issues center entirely around believing he’s in some way inherently bad or damaging to his friends

No surprise, then, that he’s drawn to Jake specifically because Jake has faith in him as someone who can do good. This moment of confidence–Jake appreciating Dirk’s help and confiding his faith in Dirk’s ability to do what he’s set his mind to–leads directly to the creation of the AR

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It also happens to be the moment Jake and Dirk come the closest to just admitting their feelings for each other.  Alas, it veers off into the future talk. 

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Jake believing him about the circumstance of his life is important to Dirk, too–much as Jane NOT believing Roxy is important to her. 

So much so that the moment reverberates three years later, as Jake dreams about it, through Brain Ghost Dirk delivering a line that is actually unique enough to jar Jake out of the memory–essentially, Dirk’s feelings slipping through the Ghost to wake Jake up to his reality:

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Brain Ghost Dirk implies Dirk thinks Jake’s faith is impressive, further undercutting the less relevant reasons Dirk gives Jane for letting Hal hassle him. 

So this could be one of the most moving things Jake ever says to Dirk, and it comes at a time when his emotions and romantic feelings are already running high. Which makes it a real shame what happens next.

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Jake reacts horribly to the Brobot’s design… 

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Which Dirk responds to with a question. Jake spends most of his life up until now talking up his love of fights, challenges and adventure, so Dirk asks for clarification. He then asks Jake to trust him, trying to sell the idea–but Jake makes it pretty clear he dislikes it.

Which is why I really can’t parse him changing the subject as some cold-blooded act of manipulation. This conversation has been a rollercoaster for Dirk–he’s been built up, torn down, and sent a ton of mixed messages. 

The big romantic overture he had planned blew up in his face, and he can’t really do anything to fix it without exposing Jake to the danger of the monsters again. Dirk wants to be done by this point, I think, and I would be too.

And the tragedy is? I don’t buy that this was Dirk imposing some Training Program on Jake out of his personal perspective that Jake needs to improve. At this point, I’d need a strong argument to convince me of the reading. It leaves too big a plot hole, and there’s a more obvious canonical explanation for it anyway.

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Because if Dirk was willing to unilaterally impose training on Jake because he needed to be stronger, then it begs the question: 

Why not the same functionality for Jane? Are we putting it down to some completely canonically unaddressed misogyny? Jane is in as much danger as any of them, and far more unprepared. If he felt that strongly and was that willing to control, does it really make sense to think he’d stop short of training her personally to ensure their success?

Consider the alternative possibility: 

That when trying to romance his best friend, Dirk approached the situation logically. Jake talks about loving adventure all the goddamn time. Dirk knows he doesn’t actually do any adventures

But he believes Jake that he wants to. And he wants to be helpful for two reasons, one being winning Jake’s appreciation and romantic affections. The second we’ll talk about later. 

The solution? Simple.

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Set up an elaborate scenario in which Jake can experience all the adventure he wants–while also keeping him safe from monsters. Essentially, Dirk is trying to enable Jake to actually start living out his fantasy in a safe environment, and Jake inspires in Dirk the desire to help him in this way through Hope for romantic reciprocation.

Dirk isn’t interested in controlling Jake English at all. He’s trying to Serve him.

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Which he succeeds at! Over the long run, Jake does indeed grow to view the chase as an adventure, and admits to finding the whole experience of the Brobot kind of exciting in confidence with Jane. I’d have to hear explanations if someone wanted to square this with Jake perceiving it as abusive, personally.

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Hence why Jake levels up when he’s trounced. Jake got owned, sure–but he was also getting served, as in he got the adventure experience that he wanted. Note, by the way, the butler imagery–which for the most part recurs continually centered around Jake and Dave. 

Which makes these lines Dirk delivers three years later, directly to the audience:

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Straight up lies. It’s Dirk hiding from his hurt and confusion by destroying his own perceived fuckups with his fabricated Stoic Coolguy Warrior persona–the same way Jake hides from his own by burying them under his beliefs.

In reality, all Dirk wants is to try to make what Jake wants possible. Which is very fitting, because there’s only one thing Dirk wants more than Jake himself. As we just established, what Dirk wants is to be believed in. To be valued and wanted. To be of service, to be necessary, to be good. And specifically…

To be like Dave Strider. Next time, we’ll talk about Dirk’s desire to live up to Dave’s image, how he really feels about his friends, and how all of this affects his relationship with Hal. 


This series has been a passion project, but also a side project to my youtube series aimed at welcoming and explaining Homestuck to new, incoming Hiveswap fans. If you find yourself trying to make it easier for a Hiveswap fan to understand what Homestuck is about and how it connects to the game, I hope you think of me.

If you like my writing and have a buck to spare, you could also really help me out by enabling me to focus on putting more of this content out there through pledging on Patreon. Doing so will also give you access to my private community of enthusiasts trying to advance new and interesting readings of this wonderful property.

See you again soon, everyone. Until then,

Keep rising.

Faith and Fear

[Author’s Note: This is a repost of Love, Faith and Fantasy–my piece on Jake and Dirk’s character arcs and the relevance of Knights and Pages in understanding them. I thought breaking it up into chunks would make the content more accessible, and give me room to flesh out each argument. Thus there will be some updates to the content. Hopefully this will mean more people can easily approach it!]

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[Pt. 1 – Knights/Pages – Service and Ownage]
[Pt. 3 – Fearful Heart] [Pt. 4 – Noble]
[Pt. 5 – As You Wish]

Now that we’ve established that Knights are a Passive class and Pages an active one, and further established that the Passive/Active divide at least partly refers to a sort of inherent Selflessness vs. Selfishness, let’s take a look at what being a Page means for Jake.

To recap, the key verb for Knights and Pages is ‘Serve’–and the two classes are tied together by the symbol of Butlers, who show up linked to Dave and Jake with particular frequency.

This means we can roughly parse Jake’s title as:

One who Serves themselves Hope, or Serves themselves through Hope.

With the corollary attribute of One who is Served By Hope

So, how does Jake’s classpect inform us about his behavior?

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Let’s take a look.

I was never exactly trying to argue Jake was some kind of secret supergenius manipulator. What I tried to say, rather, is that he’s pretty much about as aware and capable as his friends are. 

Whatever mental hiccups he has that can be attributed to mental shortcomings on our part are a red herring, and it’s a red herring Jake kind of deliberately sets up. Jake’s problem is actually similar to Jane’s: Ignorance. 

But where Jane’s ignorance is mostly genuine–if stubborn and self-serving–Jake displays an intensely willful ignorance coupled with an intense aversion to confrontation. These traits typically end with him putting the burden of action on his friends, especially Jane and Dirk, and primarily so that Jake doesn’t have to let Jane down by letting her know he’d rather date Dirk instead.

Last we talked about Jake, I mentioned how soon after Roxy messaged him and let slip about Jane’s crush, Jake messaged Jane in order to talk to her about it. What I missed was that that conversation with Roxy happens much earlier, and Jake and Roxy actually have a SECOND conversation on the subjectimmediately preceding Jane and Jake’s conversation.

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Note here that Jake slips up and describes Jane’s pinings as “unrequited”. Jake broaches the subject, and then rambles a bit about how he wonders if people really do feel that way. Then Roxy is interrupted by something and has to go, which results in…

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I’m not really vouching for the idea that this “Hmm.” is definitely Jake being given a line of quiet contemplation before he decides to do what he does next–talk to Jane–but I will advance it as a possibility. At the very least, the line is ambiguous. This kind of understated response is a little bit odd in the context of Jake being worried about Roxy’s danger, and he seemed lost in his own thoughts right before she left. 

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Regardless, moving on to the next page. Despite knowing for a fact Jane has feelings for him, Jake chooses to believe Jane when she tells him she isn’t. Brain Ghost Dirk–who is Jake’s own brain–literally calls him out for doing this, so on some level, Jake is aware of it.

The question is: Why go about things this way? And how’d Jake even manage this bizarre feat of ignoring reality in the first place? If Jake knew how Jane felt, why not just answer her? And why does he seem to forget Jane ever liked him in the first place once she says No–to the point that even with Brain Ghost Dirk, his literal own brain, telling him better, he still claims ignorance?

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And the answer is that Jake conflates believing in someone with believing the things they say, and Jake very much wants to be a good friend to his loved ones. What Jake fears more than anything is that he may have to confront or disappoint anyone. That he be forced to find out he accidentally hurt his friends’ feelings–or be forced to choose to do something that would do so himself.

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This is why his big solution when he becomes a Trickster is to become a doormat and date everybody, explicitly so that he can make everyone happy–not because he wants to date everyone himself. (though he makes it a point to include Dirk when the girls exclude him)  And he admits his reasoning himself once the session falls apart:

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So it’s more convenient for him if it turns out he really was wrong about Jane liking him–despite literal evidence to the contrary–and once he has it, he serves himself through Hope and believes it wholeheartedly:

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Note that he admits to having put Jane on the spot while doing this, btw. 

He then puts Jane in a situation where she ends up helping him by acting as a confidant for months, all the while talking her up as such a great and understanding friend and thanking her. (This is an approach Jake constantly uses, by the way–think of his “standup gent” gratitude spiel in his first log with Hal. Why does Jake give it? He wants uranium–ie, Dirk’s service.)

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And implicitly uses the head trauma he received during session entry as a plausible excuse for his lack of foresight, just as he uses his Hotheaded Adventurer persona to ignore possibilities he finds inconvenient. He does all this because on some level he’s genuinely convinced it’s all true, so this isn’t exactly active manipulation. But he convinced himself it was true in the first place because it was conducive to his preferred fantasies.

This reluctance to confront his friends when he thinks there’s a chance he messed up also answers a question barely anyone seems to have asked:
If Jake was having so much trouble with Dirk, why did he always go to Jane or Erisol? Why never Roxy, over the course of six months?

The answer is because Roxy knows a secret (hidden information-Void stuff), a fact that Jake cannot square with his constructed identity: That he knew Jane liked him all along. Because she told him about it. (Roxy has her own reasons for not advancing this information, which we’ll get to someday.)

But because of all this behavior, Jake’s friends find it extremely difficult to approach him about subjects he doesn’t want to be approached with, which coupled with their own issues ends with everyone bottling up their feelings until they burst, always ending in Jake getting breathtakingly….

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Devastatingly…

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Served.

But I don’t want to harsh on Jake here. It’s not that he doesn’t love his friends–it’s just that he’s kind of selfish about it. But that isn’t always a bad thing.
Do you know what Jake is more comfortable doing for Jane than letting her down gently over her unrequited feelings?

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Literally dying for her. After she threatened him with sexual slavery.
And she’s not the one he chose to be with–but we’ll get to Dirk later. The point is this is not a boy who cares only about himself–it’s a boy who is so scared of disappointing the people he cares about he would rather lie to them and himself forever rather than face the possibility. 

Jake is selfish, sure–but you can love deeply and perform great acts based on selfish love. Another way to parse it is that he’s self-directed. Jake is demonstrably not motivated by thinking primarily about how his friends might benefit from(or be hurt by) his actions–that’s Dave’s instinct. 

Jake’s instinct is to get what he wants. But when they’re in danger, Jake wants to protect his friends more than he wants to stay alive himself. 

But that doesn’t mean it doesn’t hurt them when he’s thoughtless and selfish by choosing to believe whatever’s easiest for him, obviously. In the words of so many people who have told me about their perceptions of Dirk: “Intent does not invalidate harm.”

And there’s no one this habit of Jake’s hurts worse than it hurts Dirk Strider. 
We’ll talk about their relationship next. 


This series has been a passion project, but also a side project to my youtube series aimed at welcoming and explaining Homestuck to new, incoming Hiveswap fans. If you find yourself trying to make it easier for a Hiveswap fan to understand what Homestuck is about and how it connects to the game, I hope you think of me.

If you like my writing and have a buck to spare, you could also really help me out by enabling me to focus on putting more of this content out there through pledging on Patreon. Doing so will also give you access to my private community of enthusiasts trying to advance new and interesting readings of this wonderful property.

See you again soon, everyone. Until then,

Keep rising.

Witch of Space==> Ascend : What is Jade Harley’s Story?

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Alright here we go I finally get to write about Jade. My biggest Homestuck secret is that for how relatively little I talk about her, Jade is actually probably my favorite Beta kid.

I love the others and Rose and Dave in particular are intensely personal to me but Jade vibed with me in a way pretty much no character in fiction ever did because she’s an unabashed furry and that’s basically the subculture that raised my preteen catholic ass.

So Jade means a lot to me, and the way her narrative grows has always spoken to me as much as Dave’s narrative about overcoming toxic masculinity, or Rose’s struggle to find existential meaning. In a way, Jade’s struggle IS Rose’s struggle! Jade and Rose have narratives that lead us to twin conclusions about the nature of Homestuck’s reality.

That’s getting ahead of myself though, and I’m going to do this wild thing where I try to impose some structure on my approach so hopefully you can come away with a clear idea of what I think Homestuck is doing. (I want to give special thanks to @landofsomethingsomething for helping me out with the feedback that led me to striving to improve in this respect.)

So. This post has three thesis statements that I hope you come away with at least seriously considering, if not outright buying into.

1. Jade’s character arc was as thought out and deliberate as any of the kids’. She was not “shafted” by the story. The two reasons fans most likely seem to think she was were the Three Years trip she spent alone, and that she “didn’t do anything in Collide”. I believe both are misreadings of the canon.

2. Jade’s arc is meaningful both for herself and for the broader narrative, and builds to one of the most important revelations about Homestuck’s universe.

3. Jade and Davepeta are not only canon but deeply romantic, and Davepeta stands to improve one of the biggest reasons fans feel Jade got “shafted”–not to mention that some fans might take issue with Jade’s lack of a romantic arc, and Davepeta…well…is her romantic arc.

But before we can talk about where Jade’s arc succeeds, we need to talk about what it is, which means we need to talk about her title–Witch of Space. For the record, here’s my view on the mythological roles:

They aren’t a pasted on set of superpowers, and they aren’t given to the kids by Skaia. The titles describe the nature the kids had all along, and the way their patterns of thought reflect onto the world around them. They also foreshadow their narrative arcs and trajectories in their entireties–Just like the titles Hussie was inspired by in creating the system, the Hero of Time and Hero of the Winds structure from the Legend of Zelda.

I’ll begin by tracking Jade’s similarities to her fellow Witches and Space players. By pointing these out I believe I should be able to give you an idea of what I think Jade’s arc is about, exactly.

After that, I’ll expand my reading of Jade as a Witch of Space to include her later narrative turns, as well as explaining how I feel Davesprite–and later Davepeta–is inherently tangled up in her arc, as well as being a better romantic partner for Jade than basically anyone else in the story.

Let’s go. I’m hoping this is the beginning of something really excellent.

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Where lies the Witch’s magic?

The first striking similarity between Witches is their bond with an outside force much more powerful than they are representing their Aspect. For Jade, this is Becquerel.

For Feferi, it’s Gl’bolyb-who is about as Lifey an entity as it gets. It is, after all, defined by being unknowably massive, incomprehensible Living things, with conscious awareness of its own. 

It is simply a completely alien kind of Life to our own, and thus the Cosmic Horror. Gl’bolyb also requires the consumption of vast quantities of Life that Feferi has to provide it, tying it to Life’s themes of edible consumption. More on Life stuff when I write about Jane soon, though.

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Like Jade, Feferi has little direct power early in her life. But she’s able to accomplish stunning feats through her connection to her guardian–which functions effectively as a Witch’s familiar. Before ascension, a Witch’s power is linked to the symbol that identifies her as a Witch in the first place.

Feferi is also ambitious. Not only did Feferi originally aim to change the rules of Life in troll society imposed by the Condesce’s will, but through her connection to the Horrorterrors, she’s able to fundamentally change the rules of Life on a metaphysical level, allowing Ghosts to exist inside dream bubbles in an unnatural limbo.  

Damara has an outside power figure linked to Time, too–Lord English, who she associates with and wishes to work for. She also changes her relationship with Time–turning it into a weapon to use against her friends as revenge as opposed to a tool and series of systems she needs to serve like Aradia and Dave do during their sessions. She’s quite willful and ambitious about both her relationship to her “Familiar” and her use of her Aspect. 

Both witches are driven primarily by their own ambitions and desires, and both witches are also fundamentally Changed by their Aspects. Feferi loses her life and becomes a ghost, her will becoming almost indistinguishable from the Horrorterrors’. And Damara’s primary use of her Aspect coincides with a drastic change in outlook and personality, making her cynical, bitter, and willing to serve her Familiar over connecting with others. 

Now–if Witches are ambitious about and defined by both changing and being changed by the domain of their Aspect, then what is Jade’s field of ambition in this regard? To answer this question, it’ll help to look at her fellow Space players.


The weight of Space

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We don’t see Porrim pre-session, but from their introductions, Jade, Kanaya and Calliope are all defined by a unique passion for Sburb. This makes sense–Sburb, after all, is the construct that defines the Space they will exist in their entire lives. 

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Waking early on Prospit also essentially makes them grow up in two environments–places–at once, meaning that they grow up influenced by the culture inherent to two different environments

This is particularly notable with Kanaya, who is uniquely untouched by Troll culture compared to her friends. Her morals are much more aligned with Sburbs’ spirit of growth and cooperation, and she takes a passionate interest in fashion–which is to say, the expression of ideas about oneself through clothes

This kind of self-expression is something Sburb encourages constantly, and is in fact it’s core philosophy. Kanaya internalizes it completely to such an extent her identity is created by her relationship to Sburb–and Space–much more than by her relationship to Troll culture. Calliope, too, is so inspired by Sburb’s philosophy of cooperation and possibility that it works against her Cherub sociology.

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This connection also allows them to use the insight gained from one environment to influence the other. Space players tend to set the stage for their own sessions, laying the Setting for their games in their own unique ways. 

Calliope–the Muse of Space–inspired Dirk and Roxy to set the stage for the Alpha session, and influenced Jake into setting the stage for the Beta session as well. Lord English’s particular exploitation of Trolls was also influenced by her, setting the grim stage for both the troll sessions as well.  Kanaya used Rose’s guide and her visions to help set up her session, too.

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Finally, all Space players seem to end up somehow becoming entities they surround themselves with and are influenced by in life, in this sense being drastically affected by their own environments. Kanaya grew up influenced by troll rainbow drinker novels, and just so happened to develop an affinity for the Alternian sun. 

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And once she died, she was outright reborn into one. Sylphs being the Passive Creation class, this makes sense–Kanaya heals and Re-Creates herself as her own ideal image. If her ability to do so is intrinsic to her being, that’s no surprise, since Sylphs are considered a kind of Fairy or Elemental, and so are intrinsically connected to and created by their Aspect

Once she transforms, she gains super speed–ie: an increased ability to navigate space– and the ability to fill her environment with Light, which she always found highly desirable. This pattern is repeated across Space players–Calliope is able to inspire others to see her as a Troll, while Jade is able to deliberately Change herself into a Furry. More on that later in this essay. 


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Now a picture begins to emerge. 

The Witch is the Active Change class. One could parse the title as:

One who Changes X, or Changes through X.

With the corollary attribute of One who is Changed By X

And as Sburb defines everything about the setting of Homestuck, and the enviroments of Space players growing up. And given Witch’s ambition and zeal, it makes perfect sense to think Jade’s ambition and execution would concern Changing not just Space, but Sburb itself. 

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Which is true! Among the main kids, Jade is uniquely passionate about actually playing the game. She sets up her session, gets Rose interested, and takes charge of orchestrating and executing the plan that leads to the Beta’s victory. 

And she is uniquely changed by the environments the game exposes her to–the divide between Jade’s Dream Self and her Waking Self is by far the widest of any Player

Dream Jade is relatively pampered and aloof, and while having access to a whole other world makes Waking Jade’s life far less distressing and lonely than it might otherwise have been, she still ends up more practical.

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And once the game really gets going, also more demanding. In her desire to protect people and be an asset, Jade holds herself to a very high standard. As such, she actively tries to be strong and keep an upbeat attitude, and in execution Jade’s approach to this is quite similar to John’s–she ends up coming off as weirdly emotionally detached from the consequences of what she’s doing

The difference is that Jade willfully uses that detachment for her own benefit, like Jake does. After all, reviving Dream Jade this way directly leads Jade to becoming a God Tier, and embodying Space as a First Guardian.

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Dream Jade, meanwhile, dies, and is greatly changed by the stagnancy and fatalism inherent to the Dream Bubbles. Jade tries to comfort Jadesprite, but this also brings us to another core facet of Jade’s. Jade has a habit of bottling up her emotions in a big way, like Jane. Jade wants to be reliable and useful, and to her that parses as a focus on practicality and solution-oriented thinking. 

So when Jadesprite–who’s another version of her–fails to live up to her standards, Jade tries to be caring… but tries to find practical solutions which go ignored as Jadesprite copes with the trauma of her circumstances. Jade’s frustration with the game, with Jadesprite’s defeatism, and with Jadesprite as a reflection of herself build until finally she gets fed up and…

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Blows a gasket. Jade’s got self-loathing issues just like anyone in Homestuck, and for her they manifest as being angry at what she could’ve become under different circumstances. She hates Jadesprite for being so malleable to her environment, and for being something she sees in herself–Selfish. Jade didn’t think too much about Becquerel before creating Jadesprite, after all, did she? Active classes are intrinsically self-motivated, and Jade is no exception.

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Jadesprite is the only character Jade is quite this cruel to other than Karkat, who torments her for years and exhausts her with hyperemotional debates that distract her and waste her time. But this attitude is still something she carries across her relationships. She’s kind to Tavros, but his logic turns circular for long enough that she gets frustrated and turns their attention towards practical matters.

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She extends much more time and patience to her friends, consoling Rose when her Mom dies…but even then is immediately concerned about what she will do with her feelings. In this pesterlog she also begins to question the nature of the game they’re playing, beginning to note Sburb seems outright cruel at times–foreshadowing her more intense struggles with the nature of the Space she inhabits.

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Which brings us to Davesprite. Dave and Jade had a special relationship growing up, and Davesprite is a Dave brought into being by the game Jade is so invested in. And Davesprite is the one who finds Jadesprite at her lowest, and comforts her. He then makes her aware of her own power…

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And encourages either Jade’s first great feat of magic as a Witch of Space. Immediately after this, Jade ascends, becoming one with Jadesprite and bringing the entire session under control–an action Davesprite bears witness to in it’s entirety. Soon after, Jade and Davesprite start dating during the three year’s boat trip. But…

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It doesn’t work out. Why?

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Well, there’s two reasons. The first is that Dave is an abuse victim, and that isn’t really the kind of trauma Jade could easily relate to–she’s been exposed to neglect and isolation, but the experience of being subjugated under an overbearing guardian would be alien to her– and she never takes it particularly seriously growing up.

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Grimbark Jade clues us in on the second. Davesprite also feels set apart from the kids, distanced by his Sprite status. He considers himself auxiliary to Alpha Dave, the same way Hal does with Dirk. John even rubs it in a couple of times, and openly wonders about Davesprite’s importance relative to Alpha Dave himself. And of course, Davesprite himself admits it.

This is something Jade can relate to to some extent–she was solely a Sprite for a time, and distanced and set apart from all society besides that. But the game fixed both of those for Jade, through bringing her closer to her friends and God Tiering. Not so for Davesprite.

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Note what these issues have in common, though: Neither abuse trauma nor existential marginalization are problems that come with practical, tidy solutions–which are Jade’s instinctive method of dealing with things. 

Jade wants to look for something to Do about everything, but there’s nothing to really Do for Davesprite. So Jade bottles her feelings of frustration up, only to have them come out when she goes Grimbark. But even while evil, brainwashed, and pissed off about Davesprite breaking up with her…

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She still sticks up for Davesprite’s validity and personhood. Now, let’s move on to the retcon. 

Davepeta happens, obviously–Nepeta acting as a Rogue to “Steal” Dave’s Heart for his own benefit. Davesprite transcends both his issues with his Bro and his tortured sense of auxiliary identity. Nepeta benefits from this arrangement, too–but we’re talking about Jade, so let’s see how the retcon treats her.

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In the Post-Retcon version of the three years trip, Jade ends up completely alone and isolated. Fans usually hate this about her arc, but hear me out, because this is where I make my case for the first point I laid out at the beginning of this:

This isn’t just about tormenting or “shafting” Jade. It isn’t Hussie being lazy or not caring about her. Jade is struggling with her Aspect, the same way Dirk is tormented by his Splinters, Terezi by her Choices, and so on.  And as she struggles with Space, she also struggles with the Game–and the label it seemingly “assigns” her. Space.

She dreams about and meets Alt!Calliope, who tells her the Game has ordained this tragic reality for her, and as a result Jade feels distanced and set apart from her friends–just as Davesprite once did. When she meets Alt!Calliope again, she reinforces this notion, seemingly telling Jade that it is in a Space player’s nature to be alone.

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But that’s not all she tells her. As she’s exposed to the fully-fledged Muse of Space the longest, Jade is also uniquely privy to the deepest secret of the nature of all of the entire Homestuck multiverse. A secret implied and built up to literally from the moment John first bites Sburb’s apple and enters the game(citation pending–I’ve got that video recorded already):  

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That Paradox Space is composed out of the abstractions of thought called the Aspects. This is the root of my second point, that Jade’s narrative is important both for herself and the wider Homestuck storynot to mention our understanding of it’s Multiverse.

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The implications of this stunning revelation are enormous. Calliope literally states that ideas are made up of the Aspects, and what the Alchemy system does is make physical objects out of ideas. All of Paradox Space grows outwards from these twelve tiny elements of thought, and so reality is literally something created by those perceiving it. In Homestuck, existence is created by thought–and so too is all physical matter.

This is why I argue all depictions of Light in Homestuck symbolically contain the Light Aspect’s fundamental ideasbecause Light as a physical presence is simply a concentrated enough amount of Light aspect abstractions to be visible in physical reality. The same is true of every Aspect–in this same sense, you can argue all food is made out of Life, and all absence out of Void. 

Imagine being granted the key to understanding the entire universe. That’s what is happening here. Jade doesn’t understand all of it right away, but the core idea gets across. And understanding the true nature of reality this way could take Jade’s interest in science to an entire other level. There’s practically no limit to what she could do with this information, I mean–if all of reality is created by thought, then what are the real limits of what’s possible for anyone?

Having delivered this information, Calliope leaves–leaving Jade as close to the biggest symbol of Space in the comic–the Green Sun–as she could get. Jade lingers, waiting, under the impression she is inherently meant to simply comply with the will of her Aspect and Paradox Space, when along comes…

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Davesprite, freed of all the issues that made their relationship originally unworkable. Only now it’s Davepeta, and Davepeta is a wholly new entity, completely and utterly defined by their relationship to the Game that functions as one of Jade’s primary domains of power and influence. It would be literally impossible for Jade to have met any version of any person even remotely like Davepeta elsewhere. It had to be here. It had to be through Sburb.

Davepeta also has unique insight into the nature of the Player’s ultimate reality, and is one of the few characters with more insight into that reality than Jade herself

In keeping with the Light motif with Homestuck’s romantic relationships, Jade lingers in the dark Void of her loneliness, not knowing whether she should Do anything, by a hyper-incandescent 2xSprite, an entity literally created to provide aid and information as well as giving off Light physically.

As if that weren’t enough, Davepeta is also a twice over Passive player–a Knight who serves their friends Time, or serves them through Time, and a Rogue who can Steal Hearts for the benefit of others.

And Davepeta is also coded as a cat and a bird, simultaneously–the two animals most commonly associated with Witches

Do you see where I’m going with this? Now that Jade is a fully ascended Witch who has mastered Space, along comes Davepeta, framed perfectly to act as the Witch’s Familiar. A Familiar whose existence reflects not just dominion over Physical Space, but mastery over both Sburb and the nature of Paradox Space.

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And what does Davepeta do when it’s, for once, Jade at a loss for what to do next, trapped in a circular spiral of logic on whether to even move forward? Davepeta says that’s dumb, and that Jade should do whatever she wants to, and offers her a practical solution to help her do it. Making it clear that Davepeta is capable of being a partner and aid to Jade’s desires and ambitions.

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Jade then wakes up, and decides to follow Davepeta’s (and Calliope’s) advice: She has fun.

In Collide, Jade chooses not to fight, but rather to use her space powers to play with Bec Noir and PM, distracting them and keeping them busy. Doing this leads her to Changing the game in the most powerful way possible

The two First Guardians are completely equalized by Bec’s influence on them, making them equal in power…but also giving them equally powerful feelings of love for Jade.

This gives PM the advantage. PM is the one able to control her own emotions, find nuance in her situation, and take a middle solution between really hurting Jade and complete inaction–which Jack is unable to do. 

By setting up this situation, Jade turns the core fatalism of Sburb on it’s head-setting up a scenario where White can do the impossible and defeat Black itself. That’s about as “Changing” the nature of “Space” as it gets–a Witch of Space, fully realized.

And now Jade is hanging out, happy with her friends and not lonely or isolated at all. Jade is having fun and enjoying herself on Earth C. That’s a pretty satisfying narrative, as far as I’m concerned. 

Jade struggled, but she also gained unique insight and knowledge entirely in keeping with her Aspect. At the very least, considering the importance of the information Jade got from her journey and all the thematic imagery surrounding it, I think it’s likely that approach was intentional and not a byproduct of Hussie “not caring about Jade” or “shafting” her.

Whether you guys do or don’t like where he took Jade’s arc is another conversation, albeit one I’m willing to have–I’m just arguing there was intent behind the chaos.


That said, now I’m going to do something I don’t usually like to do, and speculate about Jade’s future a little

I personally think Jade’s “arc” is complete enough as it stands now–Davepeta’s a compelling romantic partner, but it’s not like Jade necessarily needs a romance in the first place. I won’t be upset if I end up wrong about this stuff–
I just think the nature of all this build up between Jade and Davepeta makes it more likely than any alternatives I can think of.

So here’s some thoughts about the Epilogue you may want to consider:

Whether Davepeta will survive to meet up with her again is, admittedly, an open question…but considering all this narrative buildup, the fact that we already know Sprites exist past the end of the Game, and that Davepeta already fought Lord English and survived, I have a hard time believing they’re going to be killed off at this point.

Especially considering [S] Credits is clearly setting up the Masterpiece, and if we see the Beta kids get sucked into that Juju it’s likely we’ll also see them pop out the other end…in the Void, where Davepeta is.

And one last thing:

We already saw Roxy steal something from nothing, so it’s not impossible to think Davepeta could reach across the Timelines they already see, and steal the Heart or Time Game Over Jade spent with John and Davesprite in the original timeline back from the Game that took those experiences from her–fitting into Jade’s motif of Cheating the game to suit her desires.

This is the nature of my third and final point–that on top of everything else Davepeta adds to Jade’s narrative, they could subvert the lasting pain and suffering the Game inflicted on Jade across those three years, enabling her to remember her relationship with Davesprite, and also potentially giving John and Roxy another person who remembers the old timeline.

No idea if that’s gonna happen, or be shown in detail if it is. I just think that given the sheer depth in which Davepeta’s and Jade’s arcs are interwoven, it’s not impossible. If it doesn’t, I’m personally pretty happy with Davepeta giving Jade some good advice and helping her out at the end. Feel free to let me know what you think! 🙂


Alright, that’s all I got on Jade for now, guys. Hoping to write one post about Jane soon, but I’m going to be refocusing back towards video editing and job hunting, so these written posts may slow while I devote more energy to making videos. This has essentially been a side project to my Homestuck, Explained series as I gathered my thoughts on the endgame enough that I thought it warranted posting some more of them.

If you’re interested in enabling me to write more of these posts and making more videos, it’d be cool of you to check out my Patreon. We’ve got a neat little Discord community of Homestuck aficionados thinking and talking about a bunch of different Homestuck analysis topics, and doing so can also get you perks like previews of my video scripts and previews of the videos themselves.

That’s all for now, peeps. As always, thanks a ton for reading.

See you again soon, everyone.

Until then, Keep Rising.

Knights and Pages – Serving, Service and Ownage

[Author’s Note: This is a repost of Love, Faith and Fantasy–my piece on Jake and Dirk’s character arcs and the relevance of Knights and Pages in understanding them. I thought breaking it up into chunks would make the content more accessible, and give me room to flesh out each argument. Thus there will be some updates to the content. Hopefully this will mean more people can easily approach it!]

[Pt. 2 – Faith and Fear] [Pt. 3 – Fearful Heart] [Pt. 4 – Noble
[Pt. 5 – As You Wish]

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In my last post, I advanced the idea that Pages are an Active class and Knights are Passive. In so doing, I made the mistake of implying Pages are all secretely hyperintelligent supergeniuses who use everyone knowingly. That wasn’t exactly my intent, but that’s fine–sloppy execution on my part. My bad.

What I didn’t do is discuss the potential key verbs Knights and Pages might operate under–because I honestly didn’t have one I felt confident in. In the wake of discussing the piece with @theworstpersonintheworld (misleadingly named), he made a suggestion that struck me deeply, and once I started thinking about the story in those terms everything truly fell into place.  

I think it will be useful in explaining the dynamic between Jake and Dirk as I see it, so I’d like to make the case for it here before we move forward.

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The key verb for both Knights and Pages is ‘Serve’. This puts them in direct thematic opposition to Rogues and Thieves, who ‘Steal’, which lines up with those dual systems Sburb loves so much–after all, if Princes and Bards are ‘Destroy’ classes, it’s reasonable to assume there is also a ‘Create’ set, right?

Knights Serve their Aspect to others. Pages use their Aspect to Serve themselves. To establish this and contrast against Jake’s actions later, let’s see how this model applies to Dave, Karkat and Tavros. First, the Knights, and an outline of the different executions the Serve verb can take.

Serve can mean:

1. To provide, or give (a counterpoint to Take)

2. To provide service for

3. To own or defeat, in literal or rhetorical battle (in the colloquial ‘You Got Served’ sense). 

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From the outset, Dave has a reputation for providing his friends with his Time, serving them long rambling diatribes to consume and enjoy.--often far exceeding the time they’re willing to spend on the conversation.

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Karkat does the same thing–often offering Pacts and Bonds to friends that he likes while simultaneously offering his services in helping them figure out relationship problems. 

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Davesprite comes back from the future and literally empowers not just Dave, but John by providing him Time in the form of a Hammer with Time powers. 

Dave’s primary contribution to the Beta session is to run loops around the session, constantly gathering all relevant resources possible so that his friends don’t need to worry at all about limitations like money or access to weapons and can do whatever they feel like. 

Essentially, Dave takes care of the minutiae. He provides a service to his friends–putting them in the best position possible to act out their own wills. 

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Karkat’s ultimate contribution to his session is similar–ultimately, Karkat’s main role was to maintain the bonds between all his friends. LIke Dave’s, Karkat’s nature affects every single other player, keeping them bound towards a common goal and thus bettering their odds of winning the game. (it’s worth noting I think Vriska’s view of Sburb is wrong here.) 

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This predisposition to giving service to others is also likely why Knights seem to end up helping out with Frog Breeding duties so often. This is essentially the most important game objective, and so helping the Space player in completing it is also helping every other player in step. 

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And then there’s this. There’s a colloquial definition of Serve that derives it’s use from the term “Get Served”, which Urban Dictionary defines as: To be completely owned or shown up by someone. Kinda like Dave does to us here–which Karkat also does, by the way, before going on a rant outlined by his ambitions and silhouetted with Blood colors. 

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When Karkat wants to make something bite, he ends a relationship. Refuses to continue offering his Aspect, basically. This is also something Dave does repeatedly–he overwhelms Tavros with a time-consuming and epically sassy document, and makes Time-based power plays against Karkat as a gesture of antagonism. 

To serve someone in this sense essentially means to defeat them in rhetorical or literal battle, explaining why Aradia describes Knights as a powerful Warrior class–one of the definitions this wordplay allows for is a class that uses its Aspect to deal devastating, embarrassing defeats.

Dave obviously uses Time powers to fight, thus enabling him to Own/Serve his enemies in this sense, but Karkat is much more interesting here. Karkat also seems to fill the second stipulation Calliope puts onto Passive classes–that is, that they tend to function with less awareness of their Aspect, their Aspect working through them rather than under their direct control, as if through “The Will of the Aspect”. 

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Every time Karkat wins a confrontation in Homestuck, he does so by establishing a connection. You can argue Karkat’s aware he does this with Gamzee, but he doesn’t really parse it as doing a Knight of Blood thing. But with Clover he doesn’t realize what he’s doing at all! He thinks he just beat this green elf dude, but what actually happens is Clover wanted to enter a relationship with him. 

What goes ignored is how unlikely a win this is–because Clover is so lucky, he straight up could not be defeated normally. Clover loses this fight not because he’s overpowered, but because he benefits even more than Karkat does. Clover is a horndog, and in his view there’s no better outcome to this fight than Getting Lucky. Karkat wins unawares, as if through the Will of Blood. 

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Contrast this with Jake’s win. Jake beats the felt, shocking Crowbar–but Crowbar doesn’t benefit from this at all. Jake does. Jake is the one who wants to be seen as an impressive adventuring hero, and by exposing Crowbar to an unforeseen possibility, he achieves that. 

I’d like to posit a corollary attribute that I believe holds true for all Classes, as well. This one is not explicitly advanced textually, but I believe I can back it up. It takes place along a different axis. I posit that just as the classes affect their Aspect, so too they are affected BY their Aspect.

So in addition to the Active/Passive distinction, we could read both Knights and Pages as ones who are Served by their Aspect.

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This is true of Dave, as he gets owned by his Bro in an explicitly time-consuming fight. And the trend continues as he then gets saved by his future selves over and over again throughout the session–being served in both senses:

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In this sense, Dave also operates “As if through the Will of the Aspect”, even as he’s in control of his actual powers. He’s presented with stable time loops that he has to obey, and it’s kind of a loaded question whether any given Present Dave would have taken the same path had he not already been given the path to follow from his future selves. 


Now, to contrast before we move on to the rest of this series, a few notes on Tavros:

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Tavros’ main psychic abilities correspond to his Classpect–he’s able to move animals to serve his will, providing them direction. The reading that Pages inspire their Aspect in others isn’t totally off, in my view. What it misses is that Pages seem to inspire in others a desire to serve or help them. To benefit themselves somehow. 

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Vriska clearly perceives her actions towards Tavros a kind of twisted service, and while I don’t want to put the picture here, Tavros certainly ends up getting Served through Flight–a Breath concept. Tavros also gets the ability to fly early on, like John does–and Tavros gets it directly through Vriska’s service, one of the few times her efforts are actually helpful. 

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This doesn’t extend to just Vriska, though. Tavros inspires Kanaya and even Equius–who ordinarily wouldn’t help on account of the Hemospectrum–to provide him with robot legs, extending his freedom of motion, again a concept linked to Breath. This again benefits no one except Tavros. 

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Perhaps more telling is this visual language, which suggests Tavros was about to actually Do the Windy Thing–when he was acting under his own will and directing it for a goal he had in mind. Possibly healing? Who knows, we never find out, because this is Vriska. Needless to say, when asked to do things HER way and the way she would most benefit from….Tavros can’t do it. It’s not what comes naturally to him.  

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And of course, this reading puts a whole new spin on Tavros’ final act in the story. If we’re reading Pages as intrinsically kind of selfish and self-motivated, then Tavros’ motivation here isn’t to provide a useful service to Vriska. It’s to do something so useful she can’t possibly deny it, so he can have the pleasure of owning her. 

This is Vriska getting Served. This is an immutable fact that is being stated for the record. That it is genuinely helpful does not mean that Vriska getting fucking wrecked isn’t what is taking place here.  Notably, Tavros immediately gives power over the army to Meenah, because he doesn’t give a shit about responsibility. Tavros had a goal, and the ghosts helped him achieve it. 


A final note:

If this reading of Knights and Pages happens to bother you because it means that the Beta session has an uneven distribution of Active/Passive classes, consider the dynamics of both sessions:

In the beta session, Rose essentially takes and follows orders from the Horrorterrors and Doc Scratch, whilst also distributing orders to Dave and John (who each take further orders from troll girls and Jade).

 All of this is ultimately in support of the plan Jade commits to herself, plans herself, and executes herself–taking Active control of the entire session in one fell swoop at the last instant.

In the Alpha session, all three Active players flounder and stifle themselves and each other with nothing meaningful to do and no way to receive substantial benefit. 

Ultimately, it is the Passive player–Roxy–who rises above the constraints of her session and achieves more or less competence at understanding her role and powerset by the end of the session.

In the session that requires constant action and change, there’s Three passives to one Active. In the session that requires patience, introspection, and connecting with each other, the inverse is true. The incentives and natural skills of the players are set at odds in both cases, stacking the cards against them.

In fact, @arrghus  makes an insightful point about these unbalanced sessions: 

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Namely, that this puts the kids in the exact same position as the Trolls’ Red and Blue teams–which ALSO have an uneven distribution of Passive/Active classes under this reading, only reaching equilibrium when added together. 

This segment covered, we can move on to Jake, and how this reading of Pages reflects on him. 


This series has been a passion project, but also a side project to my youtube series aimed at welcoming and explaining Homestuck to new, incoming Hiveswap fans. If you find yourself trying to make it easier for a Hiveswap fan to understand what Homestuck is about and how it connects to the game, I hope you think of me.

If you like my writing and have a buck to spare, you could also really help me out by enabling me to focus on putting more of this content out there through pledging on Patreon. Doing so will also give you access to my private community of enthusiasts trying to advance new and interesting readings of this wonderful property.

See you again soon, everyone. Until then,

Keep rising.