Hey guys, this time around we’re looking at the impact of Guardians and Ancestors, two distinct kinds of parentage in Homestuck. In the process, I outline how I think the Roleplay mechanic works as per Homestuck’s Classpect system.
Let me know what you think!
Here’s some links to other writing I’ve done on the subject of Roleplay:
Hey, Duelist! It’s Powerhouse, here to hoot at you from another platform.
Here are my two cents: in the WOG quoted, Hussie presents the idea that Vriska’s situation is a more egregious version of Karkat’s.
As a Prospit dreamer, did Karkat struggle because he was actually passive in nature, but had a very active self image as a leader and conqueror? Was Vriska an even more extreme case of misplaced active behavior from a Prospit dreamer?
(Aside: this is a bit of a strange point to make, considering that Vriska generally appears very far from passive… but maybe that’s the point, to help us grasp that there is something passive about Vriska’s nature that most people miss on first read. I wonder what that could be?)
Asides aside, knowing that Thief is active, the description of Vriska as a more extremely misplaced Karkat could suggest that Knight is active too– and it might even give us some extra information about the relative placement of Knight and Thief on the active side of the scale (i.e, that Thief might be more active than Knight).
Hussie does stick to weasel words and hedging techniques in this WOG, for instance phrasing these points as questions, but interpretations that rely on Hussie deliberately trying to mislead the audience of this post (through lies of omission or otherwise) can quickly lead us into a destructive cycle of doubt. If even one idea raised here can’t be taken at face value, there is no way to be sure that the others can: it makes sense to me to stick to the face value and try to glean meaning from that.
It’s also probably worth pulling back a bit and reading the entirety of the quoted paragraph.
Terezi and Karkat, one of which could have been roleplaying a Knight, while the other was a Knight, were linked with the colour white – although in Flip it was only the glasses for Terezi (and wings for Vriska). What are your thoughts on that? (22)
Thanks for the ask! And for the insight. This might well be a solid point in favor of reading Knights as Active.
Being from Derse means you are from a culture of offense and aggression.
Being from Prospit means the opposite. You could argue that these are
qualities that either rub off on the dreamers, or they are designated as
those dreamers in the first place because of those qualities. You could
take the view that these are innate tendencies to overcome, as seemed
to be the case for Jade and Rose. Or maybe sometimes they are tendencies
that are resisted, and need to be understood and embraced.
What Hussie seems to be getting at here is that moons are somehow indicative of innate tendencies in players that can exist outside of their class’s “intended” goals– tendencies towards being active or passive independent of whichever one the player’s class is. So as the Prospit-dreaming Vriska struggles to ignore her innate passivity, the Derse-dreaming Meenah may be convinced to resist her innate activity and only return to it once she’s had some kind of epiphany.
(Feel free to repeat that in your head with Karkat and Dave.)
The question then becomes, in cases where you don’t know what someone’s class is supposed to mean, how are you supposed to tease apart their moon tendencies from their class tendencies… and whether they’re supposed to resist their moon or embrace it?
I think the starting point here is the idea that your moon indicates the culture that you “come from”. If the moon indicates one thing, shouldn’t the class indicate another?
Heya! I hadn’t realized I already followed you, I’m pleasantly surprised. This got a bit long so my response is under the cut.
I do think moon and class indicate different things entirely, and that a player’s Class is the biggest sign of what active/passive state they’re healthiest/happiest/most comfortable in. Essentially, it’s their “true self”–a set of instincts they can’t really change about themselves.
I read the way Hussie describes the moons fairly literally, then. It’s less that they’re indicators of some Secret Tendencies of the players–though they can be that, more on Vriska and Karkat in a minute–and more that they’re environmental influencers. They pull a sort of “gravitational weight” on their Players when those Players dream on them, subtly tugging one way or another.
This also sort of suggests why moons might affect some players more than others. The amount a player spends actually dreaming on the moon might well matter! Rose, Jade and Dave all spent a lot of time awake on their respective moons, and exhibited strong Moon influences as a result.
Hussie describes Karkat as being alienated from his own more Passive nature, and Karkat actually barely dreams on Prospit at all. That said, since the only thing we can tell for sure from this section is that Thief is probably more Active than Knight, I don’t necessarily agree that this suggests Knights are Active. On the contrary, I think it’s likelier it suggests the opposite.
Hussie describes how Rose and Dave start off their sessions very Active here and talks about how Rose’s god tiering leads her to embracing a more Passive role. Similarly, he suggests that Karkat’s self-image is overly Active, implying he’d be better off adopting a relatively more passive role.
Which he does. Since Hussie doesn’t mention it, it kind of gets lost in the weeds that Dave and Karkat’s arc progression pretty much mirrors Roses’, since both of them grow more passive further into the meteor journey.
If future developments suggest that it’s healthier for Dave and Karkat to take up more Active roles in the future, then that’ll change stuff for me, but I think it’s fairly clear that Dave and Karkat get happier and more comfortable the more they focus on their relationship with each other, as opposed to on their own self-images and the responsibilities they bring.
It is possible the Knights are Active and just meant to be Somewhat Less Active, like Vriska. I just don’t think this tract of text tells us either way. While we’re talking about her, though, I do think we learn what it means for Vriska to embrace her Prospitian nature, too.
It looks like (Vriska), basically. She’s happiest focusing on herself–and she needs the focus to figure out that mess–but she spends a lot of her narrative either focusing on empowering others, or considering the existential needs of all of the hypothetical beings in causality above her own.
This ultimately holds Vriska back in terms of personal development, even if it makes her effective at adventuring. (Vriska) becomes more passive behavior-wise, relative to the intense action that mindset brings about, but she is more focused on her own benefit and her own feelings, which is a genuinely healthier place for her to be.
Essentially, she stops trying to be Mindfang and starts trying to be herself. As a result, she’s able to form a genuine connection with Terezi as an equal, and symbolically gain enlightenment.
homestuck uses seemingly random things/concepts – the zodiac, a deck of cards, billiards, the magic 8 ball – as thematic elements so fucking cleverly it’s almost infuriating
the game over timeline failed because vriska was killed – much like in billiards, you lose the game if you pocket the 8 ball too soon
not to infodump or nothing but imho its even deeper than that, in that by act 7 the entire web of symbolism has been flipped
this is foreshadowed kind of obliquely by one, having chess and pool be exactly the same game in-universe, with sburb taking the form of a collosally complicated game of chess in multiplayer sessions, but taking the form of pool in a single player session, and two, having caliborn switch his king and queen’s appearance, but having them move as if they were the piece they appear to be
vriska appears to be the 8 ball and killing her appears to end their game prematurely, but shes actually the cue ball, and killing her causes a scratch in which she can be placed wherever is most advantageous for the opponent, and english is the 8 ball, and shoving him into the metaphorical pocket that is the black hole from the collapse of the green sun ends the game
what im getting at here is that i fucking h8 homestuck
holy shit
There’s also all the parallels drawn between Snowman(The Black Queen) and Vriska. And of course, while Snowman APPEARS to be an 8-ball, what is killing her circumstantially simultaneous with? A SCRATCH. From the perspective of Caliborn and his Session, it appears to be a victory, but it actually allows his opponents to reposition themselves to best win The Game(like vriscourse says).
It goes significantly deeper than this, since the cueball is also likened to an Egg visually and explicitly. Scratch’s cueball head is the egg from which LE is born, and Dave literally calls Grimbark Jade’s cueball an egg:
Which links the cueball to Homestuck’s pervasive traditions of Gnostic/Christian, Grecoroman, and Egyptian myth. In all of these stories (but in Gnosticism in particular as far as I can tell), there’s a consistent focus on Eggs as a symbol of both destruction and birth, best summed up by a quote from Herman Hesse’s Damien:
The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God’s name is Abraxas.
(if that sounds familiar, it’s because it also shows up in Revolutionary Girl Utena, another story steeped in Gnostic symbols.)
And let’s not forget that the cueball/egg is also tied to another symbol: That of Homestuck itself.
So symbolically, The Ultimate Juju/Story of Homestuck is at once three things:
1) It is the world that Lord English has created, that the bird (our kids!) must destroy to be born.
2) It is the cueball. Specifically, it is the IDEA of the cueball. Lord English successfully suppreses all cueballs that can hurt him in physical reality, but is ultimately beaten because he cannot stop the power of the IDEA of the cueball, manifested symbolically.
3) It is also, simultaneously, an egg–a symbol of inevitable change. Change, whether it be for himself or the world he created, is, of course, the only thing that Lord English cannot tolerate, so it makes sense to present eggs as a weakness for him.
I’ve written about most of this in my essay on Gnostic myths and how they influence Homestuck, which you can find here.
But one last note: Just as important as how it affects LE is what this means for the characters. Homestuck is arguing that none of its characters have been “born”, constrained as they’ve been within the “shell” of LE’s alpha timeline.
In Act 7, that egg seems to hatch, the shell of the world that constrains it cracking and splintering under the force of the bird’s will.
So what comes next for Homestuck’s characters, if this is meant to be the moment of their birth?
I’ve touched on the differences between them a TEENY bit in my Class series, particularly (obviously) during the section on the Steal classes. I talk about Vriska a bit in the Create/Destroy essays, too, since her roleplaying a Sylph (and sucking HARD at it) is a huge part of her early arc.
But I haven’t written about Vriska and (Vriska) SPECIFICALLY, mostly because there’s no way for me to do it right now without delving into speculation at the end since, ya know, the story isn’t over. And doing so would tip my hand as this huge vrisrezi shipper also and I just don’t want to get people super worked up for the potential way I think the comic WILL go in case i turn out to be wrong, you know?
But I’m starting to think it’s worth making a short post on like, the symbolism and stuff surrounding the two. It’s really fucking transparent honestly so I dont think it’d take me a mammoth amount of text. Hopefully coming soon??? ™
That’s certainly a reading a lot of people have, and I think they’re completely wrong.
(Vriska) wasn’t treated as a joke, Retcon Vriska was developed– in a totally different direction, not all character growth is positive–, and Homestuck isn’t over anyway. As Andrew Hussie literally confirmed. Today. So I find the entire presumption that the story has said all there is to say about the two Vriskas kind of grating, honestly.
I hope that doesn’t come off as antagonistic towards you, though, anon! I understand the viewpoint and for all I know you’re just voicing the fandom’s thoughts.
But like. I’m not and never have been shy about thinking that the fandom has been really bad at reading Homestuck thus far, on multiple fronts. Which isn’t a slight on fandom! This thing has the density of the Bible–it makes sense that parsing it is going to take a lot of work, and it should ideally be a community effort.
But Retcon Vriska is set up as an analogue to fucking Lord English multiple times, explicitly and symbolically, and Terezi is currently en route to find her as we speak. This is a developing plotline, and it’s downright bizarre that the entire fandom has somehow endeavored to pretend otherwise.
Hey I totally forget if I already asked you this, but I was reminded by your recent post that I had a question for you about Sylphs and fairies and Vriska’s roleplaying.
Hussie said on his formspring once while talking about god tiers that “Vriska’s true form is that of a pesky, murderous luck fairy,” which seems to go against your theory that Vriska is unhealthily roleplaying her ancestor’s god tier and is not, herself, a fairy at all. https://classesandaspects.tumblr.com/post/130602203382/hussie-god-tier
How do you reconcile Hussie’s statement with your theory? (Death of the Author is an acceptable answer.)
If you did ask, I never saw it! I think I’ve seen this quote before, come to think of it.
I wouldn’t really use DotA to discard theories because I’m primarily interested in trying to understand the comic as cohesively as possible, and Hussie’s quotes re: mindset with developing it has helped me consider how best to read it many times.
I’d really only say that this particular quote kinda has to be taken in context. The thing is, Vriska IS definitely a fairy for the entirety of Act 5. It’s coded into the language she’s presented with both textually and visually across the whole deal.
When I say Vriska is a “false fairy”, I don’t mean that she’s incapable of creating a version of herself that plays the role. What I mean is that the roleplaying itself is toxic and unhealthy for her (holding to her Mindfang persona literally kills her, after all), and so it’s ultimately discarded as her character grows.
The question for me is: why was that element so completely dropped later? And why is the myth of the Fairy so consistently tied to the Maid and Sylph classes–with the exception of cases like Vriska and Tavros, for whom behaving as fairies ends atrociously?
Hussie has always been cagey about telling us exactly what’s going on. So weighed against the evidence in the comic, I’m inclined to think he’s just leaving stuff out here, given that this quote is from Act 5–before we even knew the Dancestors and could put this stuff together.